Today, my reflection comes in the context of two worldwide phenomena, the Covid-19 pandemic, and the #Black_lives_matter movement’s resurgence with the murder of George Floyd.
Over the past two decades, the most commercially successful Arab films in Europe closely adhered to specific formulas: films that ratify Western viewers’ perceptions and prejudices of the Arab world rather than defy them.
Beyond speeding up the transition towards a more digital world, the COVID-19 pandemic is shining a light on serious equity challenges, as all are not equal in terms of access to the Internet and the capacity to navigate the web.
In the Roman Empire, epidemics were common and there were many, some of them serious, that marked the future of Roman society.
This article analyses the influence of Sufism in the films of the Turkish director Semih Kaplanoǧlu, with special emphasis on his trilogy Egg, Milk and Honey.
Historic events of recent times have shown that youths no longer avoid problems regretfully but demand and promote changes in society.
According to many psychology studies, the human identity structure is characterised by its dialectical nature and capacity to integrate opposites.
Cet essai aborde le problème des printemps arabes avec une référence particulière au cas tunisien et aux caractéristiques de la nouvelle démocratie constitutionnelle.
“From spring 2020 it can be said, paraphrasing Albert Camus in The Plague, that coronavirus was ‘the concern of all of us’, like a blanket of silence covering all the cities of the Mediterranean.
Les réseaux sociaux ont ouvert la voie à la coordination des mobilisations citoyennes en Algérie. Néanmoins, ils sont également le moyen à travers lequel le Gouvernement a commencé à établir un “contrôle numérique” des citoyens.
Cinquanta entitats i associacions de tot Espanya participen en la reunió anual de la xarxa espanyola de la Fundació Anna Lindh (FAL), que se celebra a la Fundació Tres Cultures.
Le 29 janvier 2020, s’éteignait à Tunis Bady Ben Naceur, journaliste vétéran et critique d’art qui constituait une référence culturelle majeure pour plusieurs générations de Tunisiens.
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