In the times in which we live, movements of people in the Mediterranean are one of the aspects that have most impact on our societies, an impact that only increases with time.
From the oldest civilisations to the present, all human groups have been concerned about their women’s gestation.
Aux avant-postes de « hirak », on trouve les jeunes Algériens. Longtemps décrits comme désintéressés de la politique, les jeunes sont devenus les porte-parole de cette contestation inédite.
La pandémie a révélé beaucoup de fragilités, celles des puissances qui avaient parié sur une mondialisation.
Today, my reflection comes in the context of two worldwide phenomena, the Covid-19 pandemic, and the #Black_lives_matter movement’s resurgence with the murder of George Floyd.
Over the past two decades, the most commercially successful Arab films in Europe closely adhered to specific formulas: films that ratify Western viewers’ perceptions and prejudices of the Arab world rather than defy them.
Beyond speeding up the transition towards a more digital world, the COVID-19 pandemic is shining a light on serious equity challenges, as all are not equal in terms of access to the Internet and the capacity to navigate the web.
In the Roman Empire, epidemics were common and there were many, some of them serious, that marked the future of Roman society.
This article analyses the influence of Sufism in the films of the Turkish director Semih Kaplanoǧlu, with special emphasis on his trilogy Egg, Milk and Honey.
Historic events of recent times have shown that youths no longer avoid problems regretfully but demand and promote changes in society.
According to many psychology studies, the human identity structure is characterised by its dialectical nature and capacity to integrate opposites.
Cet essai aborde le problème des printemps arabes avec une référence particulière au cas tunisien et aux caractéristiques de la nouvelle démocratie constitutionnelle.
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