Introduction to the QM35 issue by Maria-Àngels Roque, Editor-in-Chief of the journal.
En Occidente, pero también en el mundo árabe, existe una cierta obsesión por narrar lo que no se previno, que ha dado lugar a una fiebre de publicaciones.
En Egipto, el grafiti se ha convertido en narrador protagonista de la evolución política, en un medio de denuncia y en creador de una conciencia colectiva.
Aunque no determinen la revolución, los músicos y los artistas son decisivos como motivadores y símbolos de la posibilidad de recobrar el espíritu de Tahrir.
Significant demographic changes have occurred in the SMCs in recent decades, but these changes represent only a small part of the wider transformations that started in these countries in the 1950s.
During the days of the 25 January revolution, street art was mostly used to mock the Mubarak regime and to express citizen demands for change.
Until the end of the 1990s, Turkish-Arab relations were often shaped by mutual distrust. These non-favourable perceptions reflected upon politics.
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