Introduction to the QM35 issue by Maria-Àngels Roque, Editor-in-Chief of the journal.
Syria, the country known as “the heart of the Middle East” because of its complex and extremely rich history, has become a battlefield.
La vie en Libye, depuis la fin de la révolution et la mort du colonel Mouammar Kadhafi, n’est, certes, pas facile, mais pleine d’énergie, pleine d’espoir.
Given that in recent decades the study of emigration has become a priority in our globalised communities, the study of the effect of the different contemporary migration waves on creation and the consequences for art poses, above all, a future challe...
La Méditerranée est une nouvelle frontière entre le monde développé et le monde en développement. Ce bassin est l'une des zones les plus sensibles au monde où se nouent de multiples rapports qui définissent le phénomène des migrations.
The typical cuisine of a place is always the result of an evolution based on contributions of the different peoples who have passed through the place in question.
The identity of the Jewish people is formed by elements that involve migration and exile. Since their common origin, both Sephardic and Ashkenazic Jews have had peculiarities derived from the history of their respective exiles.
The conflict between tradition and modernity, between codes of distinct cultures, is the ideal place for artistic creation and the construction of our own identity.
During her visit to the Guggenheim Museum in New York, the exhibition “The Essence of Things” of Constantin Brancusi took the author back to the city of Salonika, also called “the Mother of Israel”.
A memorable year, 2011 marked a radical rupture with the balances that characterised the post-colonial Euro-Mediterranean Region. What about the cultural dimension in this new horizon?
