Date: From 31/01/3007
to 16/02/2007 Place: Casa Elizalde (Valencia 302 Barcelona Phone – 93
488 0590)) Organizer: IEMed / Centro Cultural Casa Elizalde / Fundación
Tres Culturas del Mediterráneo Schedule: Mon-Fri 16:00-21:00; Sat. 11:00-14:00; Sun. (please
consult)
On display are 51 photographs taken by the photographer Alfredo Cáliz
over the course of 15 trips to Morocco between 1996 and 2006. The images
are of contemporary, principally urban Morocco where Arabic tradition
and Western influences live side by side. The catalogue of the exhibition
includes texts by Juan Goytisolo and the Moroccan writer Abdelfatth Kilito.
Within the framework of the exhibition, IEMed, Casa Elizalde and Espai Cinema
de Barcelona, have organized the film series “Miradas”. The objective
of the series is to give us a closer look at the many faces of modern Morocco,
its way of living and of thinking, through cinema. The session will take place
the 8th, 15th and 22nd of February. Programación del ciclo "Miradas"
Images and texts from the exhibition of Alfredo Cáliz
"One travels to meet another, leaving behind one place and handing
themselves over to a sort of indefiniteness that seems like that of life,
but is none other than the large trip. One travels to speak, and to speak
is to go and look for the part that we are missing. In Morocco, this missing
part comes to us in the form of rivers (gueds), castles (calas), “God
willings” (inshalláh) and cushions, coinciding with ours:
fitting together."
Image: Sahara (1999)
"One doesn’t travel to Morocco to discover anything, but to
find oneself, to meet again with people, landscapes, places…, with
the traces of a common history: parallel routes that one easily understands
as one’s own; to reflect and submerge oneself in remembrances, which
is the same thing."
Image: Tanners, Marrakech (1997)
"And the travels continued, the goings and the comings. And the
photos were piled high, one on top of the other, diluting the thousand
stories in just one. The story of the boy that followed me as I was leaving
Imilchil and said goodbye with his hand on his chest; the father from
Latifah kneeling down in the Safi fields gathering capers; meeting Caterina
in a non-descript bar in Lavapiés; strolling along on Sundays
in the Rastro; Mohammed Chukri’s books; the gusting wind in Essaouira
and the wet Portuguese walls; the bus trips and the cries “Mr.
allah Mr.!” like a litany in my restless sleep."
Image: Marrakech (1998)
"I’ve photographed during the time of small immigrant-carrying
boats and in the time of growing walls. I’ve photographed an every
day Islam the day that the twin towers fell. I’ve photographed
to try and understand. One travels to Morocco and closes a circle."